Studio IV

Violin and viola instruction in Brooklyn, NY.

Studio IV is the violin and viola teaching studio of Erin Ellis in Brooklyn, NY.

Filtering by Tag: Suzuki Method

New York Area Concerts for Children and Families

As you know, listening is a vital component of the Suzuki method. I encourage you to expose your kids to as many performances as possible! I find them to be fun, inspiring, and engaging for children.

For those of us in NYC, there are quite a few places that offer programs specific to children. Here are links to a few resources:

Carnegie Hall Family Concerts

New York Philharmonic

NYC Arts 

Symphony Space Family

Let me know if you'd like to arrange a group trip!




SAA Conference This Week

I've been terrible about blogging lately, but am planning to make up for it by covering the Suzuki Association of the Americas Conference each day. I'm really gonna try!

I set aside an hour today to plan my session schedule. What a joke! It took me almost three hours. I'm so excited attending so many of the sessions. There are so many that look interesting and applicable. In addition to topics about the violin and pedagogy, I'm particularly interested in learning more about the Suzuki Early Childhood Education program.

I look forward to seeing old friends, making new ones, learning, and listening to beautiful music. Stay tuned!

The Importance of Review

Growing up, I was the queen of starting projects and never finishing them. Art projects, music projects, sewing projects, cleaning projects (especially cleaning projects); you name it, I started it. Somehow I got away with this, even in my violin lessons, until college. (If any of my former teachers are reading this I am so sorry! I can see that I must have been a frustrating student!) Now the beauty of learning music is you’re never really finished, but what I’m getting at here is learning all the notes in each movement in a musical way.

I didn’t grow up as a Suzuki kid. While I thoroughly enjoyed the way I studied violin, as a member of the community now I sometimes find myself getting a bit jealous of the teachers who grew up in Suzuki studios. They have this common body of repertoire that seems to magically come back to them when we are all playing together in our teaching seminars. Obviously there’s nothing magic about it – these musicians studied the pieces just like anyone else would. However, given the importance of review pieces in the Suzuki methodology, these pieces stay fresh in their minds; as life goes on, you grow as a musician and person, and you bring new knowledge and life experience to music you previously learned, and play it in different ways. I’m slowly but surely catching up on the repertoire, and enjoying my teaching courses more and more as I integrate into this community.

As I progress through my Suzuki registered teaching courses, I’m excited by the way I am improving my ability to memorize. Working through pieces in small bits really helps me memorize them, just as it helps my students to memorize their pieces. I’m setting a better example now that I’m really practicing what I preach. Each week I add another Suzuki piece, choose a few review pieces from previous books studied, and go back and work on finishing pieces I studied as a teen. I’ve delighted in reading notes from teachers with whom I studied, remembering important points I gathered from all of them. Not only does the review bring me back to lessons on technique and music, but memories from many different times in my life. It’s also been fun thinking about things my teachers have said in the past that perhaps didn’t make as much sense to me then as they do now, given the context and my aggregate experience. It’s a fun trip down memory lane

In the past two years, I’ve finished 2 quilts, memorized Suzuki Books 1-3 (and am making good progress on Book 4), and completed my first full Bach Sonata.  I’m so excited to experience the joy of really learning a piece; having it fully in your memory allows you to truly experience the music as you play, and brings a depth to the music that I feel very fortunate to play. That closet cleaning project of mine may never be finished, and that’s OK with me.  This year, I’ll concentrate on the music!

Reflections on Book 3 Training

I fully intended to post a blog from Dallas, but was so excited about practicing and making notes on what I learned last week that I had to wait until I had some time to soak it in!

Book 3 Training was a massive success. As expected, I learned so much and learned even more about what I need to learn! It was great seeing our teacher trainer, Judy, again, and I loved seeing some of the friends I'd made at my Book 2 training and meeting the people I hadn't yet met.

This class moved QUICKLY. We were at a real advantage in that we had all studied with our trainer for a previous unit, so we knew how she presents the material and we were able to jump right in. We played together, learned and discussed ideas for teaching the repertoire, and had the great privilege to watch Judy teach. It's really incredible and inspiring to see the passion she has for not only for teaching, but also for the teachers she mentors. I came back feeling refreshed and ready to try out some new ideas with my students.

While in Dallas, I was also lucky enough to attend this concert at the beautiful Eismann Center in Richarson, TX. A cello student from the Suzuki Music Institute of Dallas was one of the competition winners, and it was neat to see support of the  Suzuki community from which she is a a part. She played beautifully. As an aside, her mother was a violinist in my Unit 2 training course!

I had a wonderful time in Dallas* and learned so much from our trainer and my colleagues, and am looking forward to my next Suzuki Teacher Training experience. I highly recommend training for anyone teaching from the Suzuki repertoire.

*And for all those following up from my last post, with the exception of one rainstorm, the weather was amazing! 

Headed Back to Dallas

I'm about to set off to Dallas again for my Book 3 Suzuki Teacher Training. I'm looking forward to it for a number of reasons, in no specific order:

1- The Teacher: I took my Book 2 training with Judy Bossuat-Gallic and am thrilled to have the opportunity to study with her again. She teaches in a way that really works with my learning style. I'm a better teacher and a better player because of the time i've had with her.  I've loved all my teacher trainings so far, they've all been incredible experiences.

2-The Camaraderie: One of the many things that constantly excites me about the Suzuki Method is the support system that comes along with it. Teachers are supportive and collaborative with each other. I've gotten so many great ideas from other course participants, and have connected with people that I hope to keep in my network throughout my career, professionally and personally. It looks like some of the people I met in Book 2 Training will also be in this class - I look forward to seeing them again and meeting those people I haven't yet met.

3-The Repertoire: I've really enjoyed going through the Suzuki repertoire with the teacher trainers. They know so much about why each piece was chosen and in what order, and have great ideas and suggestions for how to teach them. 

And now to the silly stuff:

1. A bathtub! I live in a WONDERFUL but tiny NY apartment. A bathtub for an entire week is pretty much the definition of luxury to me.

2. A car! There aren't tons of places for me to go, and I plan to be very busy practicing, but it will be fun to drive again!

3. Pay per view! Perhaps I'll even have a little time to watch a few of those Oscar-nominated movies I never saw. (And I never saw any of them...)

4. Slightly warmer weather! The weather in Dallas is much like that of my hometown of Atlanta, GA. Not yet balmy, but warmer than it is here. I'll take it.

Stay tuned for updates from the road!

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